“INSIDE <> OUTSIDE: Suzanne Shifflett, Rowland Byass” | 7th-8th May | LA

An exhibition of two artists in two spaces at TOM House.

Suzanne Shifflett
I use art for self-exploration, hoping that the products of this exploration may reach others. I try and paint technically as well as I can, using my painting prowess to draw the viewer in. Once they’re in, then the subject of the painting may be considered.

SUZANNE SHIFFLETT (American, 1965-), Jonathan, 2017, Oil on board, 33.25″ x 19.75″

I grew up in a house full of women, my grandmother as matriarch. It was a big house that was filled with women and children, who were either divorced or separated from their fathers and husbands. I watched a lot of westerns and war movies fantasizing that the men in the family were off having these great adventures. My father was a career officer in the Air Force. I would visit him every other summer and seeing him in his uniform only confirmed these fantasies. Being a natural tomboy, I longed for the freedom and adventure I imagined was a natural born right to those lucky enough to be born male.

Nothing about being female appealed to me. My favorite toys were my G.I. Joe and Johnny West dolls. I would spend hours playing with them. Often make them weapons and sew them clothing. One Christmas, I got a Barbie doll. I remember very vividly using her as a prop. I took some string and tied her up and had my Sam Cobra action figure hold her hostage. I turned around and saw my grandmother, with the disapproving face, hovering over me. That Barbie disappeared and my sister received her for Christmas next year.

My overseers attempts to feminize me were for not. I longed for the life I imagined the men having, so much so that I identified more with boys than girls. When I was made to wear a dress to school, I felt like I was in drag. I would run home after school and throw on my older brothers hand-me-downs. If I wasn’t playing with my action figures, then I was drawing cowboys and soldiers. At one point I had a whole platoon of paper doll soldiers I had made. I very seldom drew women. On the rare occasion I did they were usually tied up and something that the men were fighting over.

As my consciousness of what and why I paint has matured and become more clear, gender and sexuality has become a focal point of my art. The line between male and female has become blurry. My subjects range from cis men, cis women, trans men, trans women and many others on the non-binary rainbow. I’ve painted women as fierce warriors, and men as objects of desire. I’ve painted a trans guy as a modern-day Bacchus with the fruits of his overindulgence between his thighs. I’ve painted a cis and trans woman together complementing and contrasting each other. I’ve done a portrait of my own midsection corseted and feminized and right after painted my midsection in black leather with a black dildo. I treat my subjects with respect and humanity without negating their differences and struggles.

Rowland Byass
I have been working on a collection of ceramic vessels for plants since I arrived in Los Angeles in February for an art residency at the Tom of Finland Foundation in Echo Park.

My work combines hand-built fired clay forms with living succulent plants and cacti. The idea behind this work is that the clay vessels and the plants they contain represent the landscape of the city at a range of scales, from the regional to the cracks and weeds in every sidewalk. The clay forms interpret the intersection of the urban street grid with the natural topography of hills and mountains, and the various ways that human and natural forces combine to form this city. What fascinates me about LA is this interaction of the right-angled grid with fractal and organic forms: erosion channels, cracks made in concrete, earth and and asphalt by movement and flow. The ceramic vessels I have made represent some of these different forms.

I was born in England in 1976. I studied English Literature at Cambridge University, and worked in journalism and copywriting before moving into landscape design and construction. I qualified as a Landscape Architect in 2008. More recently, I have been making sculptural ceramic work for plants that I see as an extension of my work as a landscape designer, only on a smaller scale. I have also appeared in some of the films of the Gay film-maker Antonio da Silva, including Solos (2014), Spunk (2015) and Ecosexual (2015), on which we worked in collaboration.

Sunday, Artist Reception, 4-7p
Monday, Viewing and House Tours, 6-9p

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#TomOfFinlandDay | 8th May 2017 | World Wide

*Tom of Finlandin syntymäpäivä | Tom of Finland födelsedag | Birthday of Tom of Finland Putinki.fi

 

Bar. Bistro. Beach. Bowling Alley. Back Alley. BBQ. Bedroom.

Wherever you are. Raise your glasses. 
Celebrate Tom’s Birthday.
Throw a happening. Hang out with friends. Hit a club.
Gather together. Invite all your friends. Hook up.

Make something special. Create your own event on Facebook and post the event or announcement on this page (also link to this event from your event).

Add photos. Add stories. Make a card. Show your pride. Take the party ’round the globe.

Tom was born Touko Valio Laaksonen on 8th May 1920, in Kaarina, southwest Finland. The Finnish word for the month of May is “Touko”.

Hyvää syntymäpäivää Tom!

#TomOfFinlandDay

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Tour Tom of Finland exhibitions | 15th April | Berlin

TOM OF FINLAND 
THE LEATHER UNIFORM

These are the drawings that have, and continue, to create urges, desires, obsessions and a lifelong male identity for tens of thousands of Gay men around the world – TOM’s Men.

TOM OF FINLAND (Touko Laaksonen, Finnish, 1920 – 1991), TOM’s Leather Guards #2, 1976, Graphite on paper, 12.00” x 17.00”, Tom of Finland Foundation Permanent Collection, On view at Salon Dahlmann, © 1976-2017 Tom of Finland Foundation

Touko Laaksonen: The Man Behind Tom of Finland

Durk Dehner, president and cofounder Tom of Finland Foundation, gives special, free guided tours. He speaks about the risks that Tom of Finland took over and over again in just getting his art to the men who desired it – those who were so deeply affected by it. How the artist provided his audience with an identity that had not previously been available to them. And all of this happening pre-Internet!

Meet at Salon Dahlmann at noon, Marburger Str. 3., for Loves and Lives and view over 20 of Tom’s masterworks and discover the life of the artist.

Then travel to

2:00p at Galerie JudinPotsdamer Straße 83, for Ecce Homo. Gallery director Juerg Judin joins for a walk through of the largest exhibition of Tom of Finland preliminary drawings ever mounted (select works for sale).

There will be discussion of the role Tom of Finland played in the development of the Gay men’s Leather culture starting in the late ’50s.

In conjunction with BLF, there will be a special bus that will stop at Galerie Judin around 2p on its way to the Party Fetish Boat.

TOM OF FINLAND (Touko Laaksonen, Finnish, 1920 – 1991), TOM’s Leather Guards #1, 1976, Fine Art Print 18/250, 2017, 18″ x 12″, © 1976-2017 Tom of Finland Foundation

You can enter a free raffle at either location for the fine art print above. The drawing will be held on Sunday at 5p at the Leather Social Berlin (no requirement to be present).

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