Artists, plan to attend!
Featuring Model Dirk Willis
Nude Figure Drawing & Painting
Spinning the tunes: DJ RocketManLA
Part of Keep Your Timber Limber (Works on Paper), this afternoon of talks and screenings centres on Tom of Finland and Antonio Lopez. Although the two had divergent artistic trajectories, both had roots in advertising and maintained a keen focus on fashion – this event will explore these ideas, as well as discuss the particular poignancy of each practice, from the context in which they were working to their enduring legacy.
Part I Noon – 4p
Noon – Durk Dehner in conversation with Dominic Johnson Durk Dehner (Tom of Finland Foundation), and Dominic Johnson (Queen Mary, University of London) give a contemporary perspective of the context in which Tom of Finland was working, from his peers.
2p – From the Margins to the Mainstream Fiona Anderson (University of York), Adrian Rifkin, Gary Everett (Homotopia) and exhibiting artist Cary Kwok explore the appropriation of the imagery of marginalised queer sexual cultures into the more mainstream art world, via Tom of Finland.
3.15p – Philip Aarons in conversation with Raymond Cha In the context of the historical import of serial publications and printed matter in relation to the dissemination of queer culture, especially as an integral element of Tom of Finland’s early practice, Philip Aarons (author of Queer ‘Zines) and Raymond Cha discuss the recent second edition of Queer ‘Zines. Followed by a book signing.
Part II 4.30p – 6.15p
4.30p – Art vs. Illustration Paul Caranicas (Antonio Lopez Foundation), Colin McDowell (fashion writer, journalist and academic) and Susan Dray (London College of Fashion) consider the notion of art vs. illustration in relation to the work of Antonio Lopez.
5.30p – Screening of Antonio’s World
A special exhibit of artist HECTOR SILVA’s newest homoerotic collection. Known for “queering the homeboy asthetic,” Hector once again brings to life his arousing interpretations of gay latino men in his pencil drawings.
Invited guest artists: MIGUEL ANGEL REYES and MANUEL A. ACEVEDO.
If no one’s trying to censor you, then you’re probably not doing anything that important.
I explore themes of cultural identity, because as Latinos, we are often erased from the social portrait. and then when you add been queer to that, we can really disappear. But I also think that the “positive image” strategy can be a trap, and as an artist, I feel responsible for showing art that is not only beautiful but truthful.
I want my work to be accessible, to always give the viewer a way into the image. I feel that “high art” often excludes people, and I am strongly against that. I think art should invite people in, and engage them in a conversation, esthetic, political, philosophical, erotic, whatever.
When I make art, my intended audience is not only the person that attends museums and galleries. I feel very strongly that art belongs in the streets. Putting art in the streets has been part of Latino culture for a long time, and we see it all the time, from murals to graffiti. I consider myself part of that tradition. I think art belongs in the street, and on the street is a lot of art.