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Untitled Document

"Georgia O'Keeffe: Living Modern" | March 3rd | Brooklyn, New York


Alfred Stieglitz (American, 1864-1946). Georgia O'Keeffe, circa 1920-22. Gelatin silver print, 41/2 x 31/2 in. (11.4 x 9 cm). Georgia O'Keeffe Museum, Santa Fe, N.M.; Gift of The Georgia O'Keeffe Foundation, 2003.01.006. ©Georgia O'Keeffe Museum

Georgia O'Keeffe: Living Modern takes a new look at how the renowned modernist artist proclaimed her progressive, independent lifestyle through a self-crafted public persona - including her clothing and the way she posed for the camera. The exhibition expands our understanding of O'Keeffe by focusing on her wardrobe, shown for the first time alongside key paintings and photographs. It confirms and explores her determination to be in charge of how the world understood her identity and artistic values.

In addition to selected paintings and items of clothing, the exhibition presents photographs of O'Keeffe and her homes by Alfred Stieglitz, Ansel Adams, Annie Leibovitz, Philippe Halsman, Yousuf Karsh, Cecil Beaton, Andy Warhol, Bruce Weber, Todd Webb, and others. It also includes works that entered the Brooklyn collection following O'Keeffe's first-ever museum exhibition - held at the Brooklyn Museum in 1927.

The exhibition is organized in sections that run from her early years, when O'Keeffe crafted a signature style of dress that dispensed with ornamentation; to her years in New York, in the 1920s and 1930s, when a black-and-white palette dominated much of her art and dress; and to her later years in New Mexico, where her art and clothing changed in response to the surrounding colors of the Southwestern landscape. The final section explores the enormous role photography played in the artist’s reinvention of herself in the Southwest, when a younger generation of photographers visited her, solidifying her status as a pioneer of modernism and as a contemporary style icon.

Georgia O'Keeffe: Living Modern is organized by guest curator Wanda M. Corn, Robert and Ruth Halperin Professor Emerita in Art History, Stanford University, and coordinated by Lisa Small, Curator of European Painting and Sculpture, Brooklyn Museum.

Lead sponsorship for this exhibition is provided by the Calvin Klein Family Foundation. Generous support is also provided by Anne Klein, Bank of America, the Helene Zucker Seeman Memorial Exhibition Fund, Christie's, Almine Rech Gallery, and the Alturas Foundation. The accompanying book is supported by the Wyeth Foundation for American Art and the Carl & Marilynn Thoma Art Foundation and is published by the Brooklyn Museum in association with DelMonico Books  Prestel.

Georgia O'Keeffe: Living Modern is part of A Year of Yes: Reimagining Feminism at the Brooklyn Museum, a yearlong series of ten exhibitions celebrating the 10th anniversary of the Elizabeth A. Sackler Center for Feminist Art. Leadership support is provided by Elizabeth A. Sackler, the Ford Foundation, the Stavros Niarchos Foundation, Anne Klein, the Calvin Klein Family Foundation, the Institute of Museum and Library Services, Mary Jo and Ted Shen, and an anonymous donor. Generous support is also provided by Annette Blum, the Taylor Foundation, the Antonia and Vladimer Kulaev Cultural Heritage Fund, Beth Dozoretz, The Cowles Charitable Trust, and Almine Rech Gallery.

Brooklyn Museum Wed, Fri, Sat, Sun 11am-6pm Thu 11am-10pm Closed Monday and Tuesday Morris A. and Meyer Schapiro Wing, 4th Floor 200 Eastern Parkway, Brooklyn, New York 11238-6052 Map Phone: 718.638.5000  Email: information@brooklynmuseum.org Brooklyn Museum Website






Untitled Document

"Marsden Hartley's Maine" | March 15th | New York, NY


Marsden Hartley (American, 1877 - 1943). Canuck Yankee Lumberjack at Old Orchard Beach, Maine (detail), 1940-41. Oil on Masonite-type hardboard. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Gift of Joseph H. Hirshhorn, 1966.
Photo by Cathy Carver.

This exhibition explores Marsden Hartley's complex, sometimes contradictory, and visually arresting relationship with his native state - from the lush Post-Impressionist inland landscapes with which he launched his career, to the later roughly rendered paintings of Maine's rugged coastal terrain, its hardy inhabitants, and the magisterial Mount Katahdin.

Hartley's renowned abstract German series, New Mexico recollections, and Nova Scotia period have been celebrated in previous exhibitions, but Marsden Hartley's Maine illuminates Maine as a critical factor in understanding the artist's high place in American art history. Maine served as an essential slate upon which he pursued new ideas and theories. It was a lifelong source of inspiration intertwined with his personal history, cultural milieu, and desire to create a regional expression of American modernism.

In keeping with The Met Breuer's mission to present modern art in the context of the history of art, this exhibition includes select works from The Met collection by other artists who shaped Hartley's vision, including French modernist Paul Cézanne, Japanese printmakers Utagawa Hiroshige and Katsushika Hokusai, and American painters Winslow Homer and Albert Pinkham Ryder.

Marsden Hartley's Maine is co-organized with the Colby College Museum of Art, where the exhibition will be featured from July 8 through November 12, 2017.

On view at The Met Breuer in Floor 3.

#MarsdenHartley #MetBreuer

The Met Breuer Tuesday - Thursday: 10 am - 5:30 pm  Friday and Saturday: 10 am - 9 pm Sunday: 10 am - 5:30 pm 945 Madison Avenue, New York, NY 10021  Map Phone: (212) 731-1675 The Met Breuer Website