American photographer Jason Langer (b. 1967) is best
known for his psychological and noirish visions of contemporary urban
life. Secret City, his first monograph published by Nazraeli Press,
depicts night and dusk scenes of various cities with “carefully
crafted compositions reminiscent of the symbolist photographers, and
swathes of meticulously printed deep black tones characteristic of
the gelatin silver process…as much Hopper and Raymond Chandler
as Steichen” (Bomb Magazine).
Langer’s love of photography dates back to his
childhood in Ashland, Oregon. Groomed on a Mamiya C330 twin-lens reflex,
Langer developed his work in a makeshift darkroom cum hall closet
in his family home before moving on to more advanced technology at
the University of Oregon, where he earned a degree in photography.
Following graduation, Langer worked as an apprentice and printer for
some of the Bay Area’s most renowned photographers, including
Ruth Bernhard, Arthur Tress, and Michael Kenna, who became a lifelong
mentor and friend.
Over the past two decades Langer has developed a photographic
language which has been described variously as “cinematic”
and “poetic”, “contemplative” and “iconographic”,
“haunting” and “romantic”. Avoiding staged
tableaux on the one hand, and the “deadpan” aesthetic
popular in much contemporary photography on the other, his images
strive always to capture the unanticipated or chance moment, layered
with timeless drama and dynamism. Langer descends from a tradition
of photographers—George Krause, Ralph Gibson, Roy deCarava,
Bill Brandt, Matt Mahurin—who photograph what is physically
happening in the world, but a world in which the unexpected appears
for brief glimpses before returning to generally accepted social norms.
Like these photographers, Langer's presence is felt in his images
through his interpretation of what happens in front of the lens rather
than any direction or manipulation of figures or events.
Besides his typically nocturnal studies of city streets
and parks, red light districts and speakeasies, Langer has also dedicated
his time to photographing a variety of intimate scenes ranging from
male and female nudes, couples in the act of lovemaking, as well as—not
incongruently—inanimate objects captured in moments of lifelike
feeling: puppets, statues, and mannequins to name only a few. Love,
sexuality, ruminations on mortality and the impermanence of things,
a search for solace, a yearning for completeness—these are some
of the frequent themes that bind his work together. Langer’s
photographs remind us of the mystery and wonder of having a body and
finding our place in the world.
Winner of Palm Beach Photographic Centre’s 2006
Rising Star award, Langer is represented by an ever-growing list of
galleries in Europe and North America: Michael Shapiro Gallery (New
York and East Coast), Michael Hoppen Gallery (London), Esther Woerdehoff
(Paris), Galerie Hiltawsky (Berlin), Photographer's Gallery (Los Angeles),
Joseph Bellows (San Diego), Charles A. Hartman, Fine Art (Portland,
OR), and Gilman Contemporary (Ketchum/Sun Valley, ID).
Langer’s work has appeared in numerous publications
including American Photo, Black and White, Harpers, Life, The New
Yorker, The New York Times, Photo Metro, Popular Photography, Time,
and Vanity Fair. In addition, his work belongs to the permanent collections
of Gap/Banana Republic, the JGS Foundation, Rutgers University, Sir
Elton John, Sir Mick Jagger, Yale University Art Gallery, and Zimmerli
Art Museum.
There are two forthcoming books from Nazraeli and Radius
Books 2012-2013.