The show’s title, borrowed from influential Surrealist text Les Champs Magnétiques (The Magnetic Fields), by André Breton and Philippe Soupault (1920) alludes to exploring the nonsensical and the dreamlike unconscious.

ROSE NESTLER, Gym Shorts, 2019


The work on view in this exhibition shares a common dialogue and aims to explore these surrealist notions in a contemporary manner.